Chuck Close: Art and Human Relationships

Art making is often a solitary business. In fact, many choose to become artists precisely because they enjoy working alone. That is true for painter Chuck Close. In a 2007 television interview with Charlie Rose, Close described the working methods that have allowed him to continue to paint with minimal assistance from others after a spinal artery collapse in 1988 left him paralyzed from the neck down. After a brief period when he thought he would never paint again, physical therapy helped Close regain the use of his arms and hands, but he no longer enjoyed the same freedom of mobility. Close is known internationally for his enormous, nine-foot portraits of human faces—often of personal friends—on canvas. Prior to becoming paralyzed the artist painted with the help of a forklift truck. As a result of his impairment, however, he needed a new working method. Maintaining Independence and solitude were primary goals. “You become an artist because you wanted to be in a room by yourself,” he says. “And all of sudden you’re handicapped and you need help. Well, you want to make it as much like it used to be as you can…” Close’s solution has been to work in a two-story studio where he can move his paintings vertically through a hole in the floor.

Though Close enjoys the seclusion of the art-making process and tries to work unassisted as much as possible, his paintings express the personal connections he shares with other human beings. Close was born with Prosopagnosia, the inability to recognize faces. He has said that the disorder is part of what motivates him to paint enormous portraits of friends and family members’ faces. Through his paintings he hopes to etch the details of people’s faces onto his memory so that when he meets with them again “face-to-face,” he will know them more deeply.

Close’s work reminds us that regardless of how it gets made, all art is done in the context of the community in which it is made. Art—whether it is painting, music, poetry, or dance—speaks through self-expression and shared transcendence. It is a byproduct of human relationship.

New Murals Support The Work Of Speech Pathologists

(Artist, Philip Cozma and his mural) 

Standing near one of two colorful new murals at the Jacksonville Speech and Hearing Center, Director Bill McQuilkin, Jr. Points down an adjacent hallway: “The children go right down [there],” he says. “They’re always seeing both of them.”

Installing the murals at the Center was McQuilkin’s idea. He says he wanted to incorporate images from nature into the building’s interior design, to “bring the outside in.” He also wanted the imagery to be “child-centric.” He hoped the murals would appeal to children aged one to five who are the Center’s primary focus.

Read more:  Arbus Magazine Oct/Nov 2011

Barrels of Hope: Building Shelter for Haiti

During the September 1, 2010 Green Drinks meeting in Gainesville, Mike Amish of Indigo Green Building Solutions, the U.S. Green Building Council and Jacob Cravey of Earthbuilders described their project—Barrels of Hope —and offered community members an opportunity to help them build shelters for earthquake victims in Haiti using inexpensive earthbag construction.

The Barrels of Hope initiative started last March, after Amish and several colleagues heard a presentation about earthbag building by Jeff Bousquet, who has been certified through the Cal Earth Institute.

The group traveled to Kenscoff, Haiti, last July and constructed their first earthbag house. Included among them were members of Indigo, The Sustainable Design Group, and The United States Green Building Chapter’s local chapter, Heart of Florida.

Amish hopes the structures he builds will last 50 years or more and become part of the local culture. The 100 square foot houses are expected to fill both a temporary need for shelter and provide a permanent housing solution. “We would hope that they would use it to build on to,” he said.

Read more:  http://www.gogreennation.org/2010/09/barrels-of-hope-building-shelter-for-haiti/

 

Unfettered: New Work by Artist and Gallery Owner Eileen Corse

Cover: Art & Healing Issue

Oct/November 2010

Eileen Corse, artist and owner of Corse Gallery & Atelier, unveiled a collection of her new paintings in September. The show, titled Unfettered, comes just months after Corse celebrated her business’s second anniversary in March, 2010. Corse says that for the past two and a half years she has put her painting career on hold in order to promote other artists and her gallery, because she thought it was a great thing for Jacksonville.

But now she is ready to promote her own work. She is calling her show Unfettered, she says, “because I feel free to paint again.”

Read more:  http://arbus.com/index.php/cover-story/cover_center_lays_the_foundation_for_a_brighter_tomorrow/

 

Why Art Matters

With so much taxpayer money now being allocated to the arts in Jacksonville, the Cummer Art Museum recently announced a timely program scheduled for July 13th, “Why Art Matters: An Arts Roundtable.” During the event local educators, business executives and civic leaders will gather to discuss the importance of art and culture in Jacksonville.

Read more:  http://www.eujacksonville.com/story2.php?storyid=1734

Voices of the Valley: Environmental Challenges

May 28, 2010

EDITOR’S NOTE: Some scientists call climate change the greatest challenge humanity has faced. And then there are the threats to clean drinking water and a food system that depends on diminishing fossil fuels.

Valley Voices videographer Dylan Klempner visited Amherst’s first Annual Sustainability Festival to speak with community members concerned about the environment. He asked them to name our biggest environmental challenges – and point to ways to address them.

Watch the video:  http://www.gazettenet.com/2010/05/28/voices-valley-environmental-challenges

 

Voices of the Valley: Economy

April 30, 2010

EDITOR’S NOTE: Though consumer confidence is lifting and signs point to an economic recovery, the job market remains tight, particularly for those without degrees and skills.

For today’s installment of Voices of the Valley, reporter and videographer Dylan Klempner visited with residents of Hampshire Heights in Northampton, where they spoke about their frustrations with finding work.

Watch the video:  http://www.gazettenet.com/2010/04/30/voices-of-the-valley

 

Revealing a moment in America: UMASS theater creates a community to capture one

January 21, 2010

Under bright lights in the Curtain Theater at the University of Massachusetts, actor Jonathan Fielding trails Sarah Wiggin across the stage, holding up his hands as if filming her with a movie camera. He speaks to her in German-accented English.

“You are home. And you are very tired,” he says.

Wiggin, who looks exasperated, pulls up the collar of her brown, corduroy sport coat.

Fielding stops suddenly and turns to director Gina Kaufmann, who sits offstage. Kaufmann had encouraged the pair to experiment with adding new dialogue to a scene from the play “1905,” set to open Friday at UMass. Fielding now questions whether the new dialogue is working. A thoughtful discussion between actors and the director ensues.

Members of the cast and crew of “1905″ say that this kind of open collaboration has been the primary feature of the play’s construction.

Read more:  http://www.gazettenet.com/2010/01/21/revealing-moment-america#